10 Delightful Font Families To Purchase

Mario Madjarov is an architecture student with a great passion for design and creative work.

A lot of his works can be found at his deviantART page.

Delightful set of 10 lovely font families every designer should have in their toolset. These font families are among the highest quality fonts one could get and each one is sure to make your designs pop.

Striking set of 10 lovely and delightful font families to purchase at a first glance.
These font families set a high standard for what a well designed font should look like.

Enjoy!

 

the article contains two pages (5 families in each one)

 

Adios Script Pro
Year: 2012
Designer: Alejandro Paul

Romantic, decorative Adios Script is one of Alejandro Paul’s most elaborate and technically refined faces to date. Inspired by designs in “how-to” commercial lettering guides of the 1940s, it has been refined and brought into the 21st century through a huge variety of ornate swash letterforms. The lowercase “h” alone offers 43 variants. Hundreds of ornamental ascenders and descenders allow a beautiful interplay of strokes and combinations, while avoiding overlaps or conflicts. Adios Script features a mind-boggling 1,470 characters in total, in OpenType format. Adios Script received a Certificate of Excellence from the Type Directors Club.

Geogrotesque
Year: 2008
Designer: Eduardo Manso

Geogrotesque is a semi modular with a subtle rounded finish typeface. All the characters are based in the same formal principle with its corresponding optical adjustments in order to adapt the system to an alphabet for texts. Although the type family has a geometric or “technological” construction, the rounded finish provides it a warm appearance, making the typefaces nicer and nearby.

Geogrotesque has been conceived to be used as a display typeface in publications or intermediate length texts, most of all the Thin and Ultralight weights which were meant to be used in big sizes.

Hera Big
Year: 2011
Designer: Lucas Sharp

Hera Big is a type family in eight weights & 16 fonts. The family explores the motion and fluidity of the ball serif, in an evolution from its previous identity as a counterpart to the slab serif.

Informed by great fat-faces from Figgins to Lubalin, but never deferring to precedent by default, Hera is a fresh mix of originality and organic form, never sacrificing function for beauty.

Monstro
Year: 2012
Designer: Ricardo Marcin + Erica Jung

Monstro is a carefully hand-crafted typeface with different lettershapes on upper- and lowercase slots, although being an all-caps font. When working in OpenType savvy applications, the contextual alternates feature can take care of alternating the glyphs, preventing double letters from showing the same lettershape while bringing more spontaneity to your designs. There is also a set of stylistic alternates for added amusement: just turn on the stylistic alternates feature or pick the glyphs manually.
Monstro comes in 2 versions: sketchy and solid, both hand-drawn. And yet there is the matching picture font that brings a big bunch of irresistible monsters and other very cool graphic elements. Sans-serif and bold, useful and friendly, these fonts are quite perfect for a monsterful of purposes. I can tell that you are gonna be friends!

Museo
Year: 2008
Designer: Jos Buivenga

Museo... it all started with my love for the letter ‘U’. This uppercase letter just came to me as an image in a daydream. The top of both stems bent into semi-slab serifs. From this principle I worked out the rest of the uppercase letters. My first intention was to make it an all-caps display font, but after a while, I changed my mind. I wanted it to be a bit more versatile, so I decided to add lowercase and adjust spacing and kerning to increase legibility.

This OpenType font family comes in five weights, and each weight comes with support for CE languages, even Esperanto. Besides ligatures, contextual alternatives, stylistic alternates, fractions and proportional/tabular figures, Museo has a ‘case’ feature for case-sensitive forms.

 

Narziss
Year: 2009
Designer: Hubert Jocham

Since Mommie I gradually got more into swirly ornaments. The massive contrast in the neoclassic style is perfect for thin swirly extensions to the characters. Even in an upright typeface. Narziss is very elegant in big headline sizes.

Use it only very big.

Pluto
Year: 2011
Designer: Hannes von Dohren

Type designer Hannes von Döhren has created Pluto, a sweet type family consisting of 16 Uprights and 16 Italics; 32 fonts in all. The fonts are informal and friendly at first sight and lend themselves to display settings, however the straight and upright architecture of Pluto also makes it perfect for longer copy. Because of its large x-height, it even performs nicely in very small sizes. This contemporary type family is ideal for use in retail, cosmetics, food and hospitality applications and advertising.
Pluto is equipped for complex, professional typography. The OpenType fonts have an extended character set to support Central and Eastern European as well as Western European languages. Each font includes alternate letters, fractions, lining-, tabular numbers, scientific superior/inferior figures and a set of arrows.

Reina
Year: 2011
Designer: Maximiliano Sproviero

Inspired in the sweet letters of calligraphy and typography masters of our past; such as Didot, Bodoni and the incredible Herb Lubalin, its aim was to incorporate the decorative accolades from blackletter and copperplate styles of calligraphy into a Modern Roman typeface.

Reina reflects sovereignty due to the enveloping atmosphere and the sensation of greatness that can be felt when using it. It has an unique way of standing over paper and screen, being its swashes responsible of an extreme elegance.
Similar to what Lian did in his last font Breathe, Reina was designed to be playful yet formal: While none of its alternates are activated it can be useful for short to medium length texts; and when the user chooses to make use of its open-type decorative glyphs, it can be useful for headlines with dazzling results.

TECHNICAL

Reina is a family with many members. In order to achieve better results when printing, Lian took his time to design the necessary styles: Reina 72 Pro, prepared for display sizes; Reina 36 Pro, for medium sizes; and Reina 12 Pro, the best for text or decorative words in small size.

Each of these members have variants inside, which are open-type programmed: The user decides which glyph to alternate, equalizing the amount of decoration wanted.

Reina Engraved Pro has the same features than the variants mentioned above.

The family also contains variants which were made exclusively for decoration. These are: Reina Words, a set of the most common words used in english, german, italian, french and spanish; Reina Capitals, which consists in a big set of ornamented capitals; and Reina Fleurons, those little friends which always help to embellish our work.

Streetscript
Year: 2011
Designer: Dave Rowland

Streetscript is a contemporary upright(ish) script with a modern, streetwise edge. It contains a wealth of OpenType goodies and is equipped with enough language support to cover most Latin-based languages.

Latin Extended A is fully covered (except for long s - sorry Medieval people!).

OpenType features include Stylistic Alternates, ligatures, swashes (for g, j, y and z), an underline function (enabled either through SS02 or Contextual Alternates), Oldstyle figures, Localised forms (Polish, Dutch, Moldovan and Romanian), and 'non-script' r and z, enabled using SS01.
Over 500 glyphs make up this display font, which is versatile enough to be used for all manner of applications, from T-shirts to logos to websites and beyond. Like most scripts, all-caps settings are not recommended but there is ample kerning to make this possible if you really have to.

Variable
Year: 2004
Designer: Matt Desmond

Variable is a sans-serif monoline typeface family that can be used in a variety of typographic environments.

The UltraThin weight is perfect for use at large sizes in magazines or anywhere a hairline effect is needed. The Black weight feels reminiscent of wooden router lettering.

Variable is very versatile due to it’s calming curves and can be used in print or on-screen environments.